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About Us

Ashmita Mukherjee
Oscillates between artist and critic. Reads poetry. Or tarot cards. Was actually manufactured two centuries ago, now picks up stray ghosts from battered objects and befriends them. Loves vintage, ruins, the color of rust, ancient signs and symbols. Impatient with technology. Patient with dogs and cats. Indulges in artful lies. 
Literary research is job, fictive writing is leisure. 

Mitarik Barma
Loves playing with technology; love reading; loves food; loves fountain pens and ink; always procrastinating; hopes for the wonder of life to unfold before his eyes. Occasionally, tries to write fiction and memoirs. Is habitually irrelevant.

Suvendu Ghatak
Compulsively digs out stories from the mundane. Spirit sleeps in ruins, stares on wrinkled faces. Strolls on eroded landscapes and desolate graveyards. Sometimes gets out of the time warp. Especially when gets keen on rainwater harvesting and organic farming. 

Teaches English, learns Santhali.

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A Visit to The Pen Hospital in Esplanade (Dharmatala)

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Excavation of a Forgotten Painter: The Moments of his Art

Subscribe In the earlier post I had tried to dig up the silken glow of Maniklal Banerjee, an eminent painter aligned to the Bengal School of Art, not so well remembered, who also happens to be my great grandfather. Like the familiar yet elusive beauty of his native village Sonaranga, he has remained less than fully tangible. He has remained somewhere amidst the luminous haze of family reminisces and the "ghost paintings"-as I call them- mere photographs retained of his best work on silk. I have received them archived on a CD disk, that came to me as a family heirloom.  Sonaranga of his younger days, drawn from memory and impressions. I have decided to call him, at times, by the name of Manik Babu, even though the man is both, a great painter and my great-grandfather instead of the more endearing “Boro-Dadu”. I have accused him at times in my mind, for remaining like a myth in our household. It was as if everybody knew half-truths about him, yet he did leave ...

Upanishad in stories

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